Dr. Stephen Spencer
Associate
Professor of English and
Coordinator of Humanities
Phone: Wilmington
College 937-382-6661, Ext. 462
Email: sspencer@wilmington.edu
EDUCATION
Ph.D. University of Cincinnati, 1999
Areas: 20th Century American Literature, U.S. Ethnic Literature,
Composition
Dissertation: " Reading and Rereading the Thirties: Historical
and Social contexts and the Literary Receptions of Pearl S. Buck,
Margaret Mitchell, and Zora Neale Hurston."
M.A. Comparative Literature, University of Dayton, 1989
B.A. English/History, University of Dayton, 1987
AWARDS and HONORS
- Fulbright Award, Senior Lecturer in American Literature and
Culture, Universidad de Complutense, Madrid, Spain, Spring, 2004
- Southwestern Ohio Council for Higher Education Award for Innovations
in Teaching Excellence, 2003
- Wilmington College Student Government Teaching Excellence
Award, 2001
- University of Cincinnati Graduate Scholarship
SCHOLARSHIP
“Cultural Hybridity in Kiana
Davenport’s Shark Dialogues.” Storytelling:
A Critical
Journal of Popular Narrative. 5.1(2005):
21-28.
"The Value of Lived Experience: Zora Neale
Hurston and the Complexity of Race." Studies in American
Culture. 27.2 (2004): 17-33.
"Eric Jerome Dickey." Dictionary
of Literary Biography: 21 st Century American Novelists.
Ed. Lisa Abney and Suzanne Disheroon-Greene. Detroit: Bruccoli
Clark Layman, 2004. 62-66.
"What’s White Got to Do with It?: Teaching
Whiteness A Roundtable Discussion, Part II." Modern Language
Studies 32.1(2002): 133-178. With Arlene Wilner, Avy Trager,
Victoria Boynton, Karen J. Hall, and Dian Killian. Moderator: Andrew
J. Price.
"The Discourse of Whiteness: Chinese-American
History, Pearl S. Buck, and The Good Earth. " Americana:
The Journal of American Popular Culture 1.1(2002): 1-15. http://www.americanpopularculture.com/journal/articles/spring_2002/spencer.htm.
"Cultural Contexts and the Literary Reception
of Their Eyes Were Watching God." Midwest Modern
Language Association Conference. 9 November 2002.
"Identity Construction: An Organizational
Theme for Multicultural Literature Courses." Midwest Modern
Language Association Conference. 10 November 2002.
"Fables of the Reconstruction: The Plantation
Myth and Racial Politics in Gone With the Wind." Society
for the Study of Southern Literature Conference. 15 Mar. 2002.
"Preserving the Plantation Myth: Gone
With the Wind and the (Re)Construction of Southern Identity." American
Popular Cultural Association Conference. 15 Feb. 2002.
"Teaching in a Technology-Enhanced Writing
Classroom." Southern Ohio Council of Higher Education Faculty
Retreat. Sinclair CC. 6 April 2001.
"Popular Culture and the Rural Dream: Cultural
Contexts and the Literary History of The Good Earth." Atenea 20.2
(2000): 125-137.
"’Racing’ Whiteness: American
Culture and the Construction of Race." Northeast Modern Language
Association Conference. 8 April 2000.
"The Enigmatic Colonel." Estuary:
A Journal of Contemporary Literature and Visual Art 2.1(1999):
43-49.
"Preconceptions and Misconceptions of Teaching
Composition to the Incarcerated." ERIC NO-ED412536. Clearinghouse
on Reading, English, and Communication. Indiana University.
July 1998.
"Preconceptions and Misconceptions of Teaching
Composition to the Incarcerated." Conference on College Composition
and Communication. 14 March 1997.
"The Democratic Classroom: A Resistance to
Traditional Models." The Journal of Teaching and Learning 1.1(1996):
16-23.
"Wallace Stevens and Views of Reality: Subject/Object
Relations in ‘The Comedian as the Letter C’." Conference
on Language and Literature. Northern Illinois State University.
28 March 1993.
"Roland Barthes and Student Desires: Toward
the Liberatory Classroom." Studies in the Humanities 18.1
(1991): 3-11.
"Who’s in Charge Here?: Issues of Authority
in the Undergraduate Classroom." Conference on Language and
Literature, Louisiana State University. 6 Feb. 1991.
"Roland Barthes and Student Desires: Toward
the Liberatory Classroom." Society for Critical Exchange Theory/Pedagogy
Conference. Indiana University of Pennsylvania. 22 Sept. 1990.
CURRENT and FORTHCOMING SCHOLARLY PROJECTS
"Just One of the Folk: Zora Neale Hurston and the Intersection
of Cultural Contexts." Accepted for publication in It
Ain't Over Yet: Multiethnic Literature and Canon Debates.
Edited by Irma Maini. SUNY Press.
"Racing Whiteness: American Culture and the
Social Construction of Race." Accepted for publication in Race
in Post-Integration America. Edited by Conseula Francis.
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